Tuesday, October 6, 2009

Tinsley Ellis Concert and Album

Finally made it down to the BB King Blues Club on I-Drive for this show Sunday night. I had only poked my head in once to check out the room after seeing a movie at the Pointe. It's an unusual setup as there is very little room directly in front of the stage. There is a small upstairs section that looks down from the front, and I wish I had investigated, but maybe another day...and there will be another day. Our foursome sat at a reserved table off to one side. Plenty of room, reasonable sight lines, and happy that the volume wasn't explosive! It's too bad that few locals know about the BB King Club. My regret is that there are very few national acts ever booked to play. After experiencing a night there, I guess I understand. We paid a paltry $5 cover (best five bucks one could have possibly spent in Orlando that night) and were joined by maybe 150 others. That's not a big payout for a blues veteran such as Mr. Ellis. I hope he got a % of the bar! I will say that the food we ordered was quite tasty, on par with, or even better than the kitchen at HOB. I hope BB Kings does well with their house bands, one of which we saw briefly at the downtown concert a few months ago opening for Joe Cocker. The tourists should eat this up!

I came away with the new CD that streets today, actually. Of course, you pay a little more for it at the show, but you get it a couple of days before everyone else and you get a chance to talk with Mr. Ellis while he signs it for you. I laughed at one of his concert comments about doing some of the new material that would be available, theoretically, in music stores everywhere today. I mentioned to him why I found it hysterical in our brief conversation in light of my retail background, and next thing you know we are talking about Cat's, Peaches, and NARM events in town over the years.

So let me quickly give an overview of both the show and the record. I've spun it once and realize he performed about half the tracks for us that night. Over the years I've helped sell many of his records but never ended up with one in my vault. I now realize that one should witness a live show to better appreciate the recorded versions. He's not a flashy, in-your-face performer, but he coaxes so many sounds from the guitars. Once you witness the effortless ability, the recorded music is much more meaningful. He's not the vocal presence of other notable blues artists, but that's not to say he's incapable. One of the later tracks on the record had me harking back to a pre-Steve Perry Journey sound that featured a young Greg Rolie on vocals. In concert the bass was a bit muddy, but on record it is crisper. Drums were sturdy and strong, and yet subtle in other ways. The drummer was the most showy on stage, but that's a relative term as it was the music that was the highlight of the evening.

Friday, October 2, 2009

Porcupine Tree "The Incident"





















As I mentioned in the previous post, PT is probably one of my favorite discoveries of this decade. Now that I've given this record the requisite three spins, I'll say what I can for now so you can decide for yourself if you want to try it. This is prog rock for the 21st century. A concept album (wow, there's a lot of those recently... that's a good thing!) that encompasses the entire first CD. I've read comparisons to Rush "Hemispheres", but I get Pink Floyd's "Animals". Either way, that's pretty good  company. "Incident" isn't as tuneful as Rush and by that I mean sing-a-long stuff. This is more meat and muscle where Rush is flash and technique. Don't get me wrong, this is a good album, but now I'm looking forward to sitting down for a listen with the headphones on, uninterrupted. These types of albums are what I've called "20th century classical music", and now 21st century. The band has been playing the entire work in concert and they have a statement read at the beginning asking the crowd for quiet during the softer passages. And apparently, "Incident" is striking a cord with new listeners as I've read where it has debuted on sales charts all over Europe higher than ever before and here in the US at 25. There are four tracks on the second CD which are more typical of recent PT work if you have to get that fix. Prolific as Mr. Wilson is, I'm sure we'll hear something else soon from PT or his side projects.

Sunday, September 20, 2009

Jay Jesse Johnson "Play That Damn Guitar"


I don't remember how I stumbled onto this, but once I did I found a video that stoked my interest. As it turns out, JJJ played on the "Arc Angel" album in 1983. That was a great record, and now I'll have to plow through my stash to find and revisit. It's on a cassette somewhere, so it may not play anyway at over 25 years of age. He was also on a record in 1989 called "Deadringer", and I recognized the cover but I don't own it.

This release smokes something fierce. As I spun it the first time I heard Frank Marino, Blackfoot, Indigenous, with a splash of Robin Trower. And those influences go for the vocals, as well. If you like any of the aforementioned artists, this would be one to seek out for your collection. Hard rockin' and bluesy!

Thursday, September 17, 2009

New Porcupine Tree

I bought this on its release date Tuesday and started the initial listen today. One of my favorite bands from this decade. And, finally, I have a list of new releases to get, including Muse, Masters of Reality, and Chuck Prophet, to name a few.

Feel free to comment and suggest new music for me to hear. I spoke with an old co-worker of mine from the Music 4 Less days, Wayne Netzler, who has to be one of the world's biggest Cheap Trick fans, and he hated their studio album from this year. I didn't hate it, but it took some measure of patience to get to the last couple of tracks, which I thought were pretty good. Am I going to get their live rendition of Sgt. Pepper's? Maybe...

I've Been Going Through an Oldies Phase

There just wasn't much new music available that I had a desire to try, so I went back to some old CD storage and pulled about 20 to listen to over the last couple of months. I chose specifically for a continuous project of mine that I hope to bring to fruition one day in some form or fashion. Anyway, I thought some of you would appreciate these selections, and for those of you new to me a chance to see into my experience just a small bit. Granted, many of these are fairly popular, but remember, I'm working on a little something...

Berlin "Count Three & Pray" 1986
The Cure "Kiss Me..." 1990
Deep Purple "House of Blue Light" 1987
Elton John " Captain Fantastic..." 1975
Jerry Harrison "Walk on Water" 1990
The Freddie Jones Band "FJB" 1994
Billy Cobham "Best Of" 1988
Extreme "Waiting for the Punchline" 1995
Frank Marino & MR " Tales of the Unexpected" 1979
George Michael "Listen Without Prejudice" 1990
Mansun "Six" 1999
Ours "Precious" 2002
Rick Derringer "Blues Deluxe" 1998
Styx "Equinox" 1975
Terrell "On the Wings of Dirty Angels" 1990
Wire Train "Wire Train" 1990
Supertramp "Even in the Quietest Moments" 1977
Marty Willson-Piper "Art Attack" 1988
10cc "Deceptive Bends" 1977
Propaganda "A Secret Wish" 1985
Pink Floyd "Piper at the Gates..." 1967

See? All over the board...

Tuesday, August 25, 2009

Paper Route "Absence"

I really liked the EP so I decided to give the new full length a try. If I did not know these guys were from Nashville, there would be no possible way to discern it from their sound. Since I'm older than many of the current music reviewers out there, I recall the 80's from an adult point of view already involved in the music business, not a kid or pre-teen associating the music with their parents or hormones. This sounds like straight up Euro synth pop, invoking Spandau Ballet, A-Ha, late model ABC, etc.. I swear that Richard Ashcroft sings one of the tracks! If it reminds me of anything current it would be Keane. I had it in the player alongside the Dredg release and it meshed well, though a lighter weight than Dredg. I was drawn in to the unique drum patterns and the overall production of "Absence". i now wish I had caught their tour stop here in town.

Saturday, August 22, 2009

Had to put this up in light of recent news...



Check out this picture of the Ol' Mad Rocker and Paula Abdul from March of 1995. This was at a NARM convention in San Diego on a Capitol Records sponsored boat trip around the bay, harbor, whatever they call it. That also explains the nautical accessories... Anyway, Paula was looking good at 32, tiny thing that she was/is. There must be a few hundred pictures like this floating around the country. That boat gig was also memorable as one Garth Brooks was on-board signing anything that was shoved under his nose. The cruise circled back to the dock and most all the label artists escaped to shore, but not Mr. Brooks. He stayed on board to allow everyone to have their shot at meeting him. One of the reasons the man was so admired. There may have been three others besides myself who did not bother him. We were too busy trying to drink the bars dry on the second trip around the bay, harbor, whatever... Oh, yeah, there was this amazingly incredible Latin beauty on board in a form-fitting purple pantsuit that stopped everybody in their tracks, male and female! We finally had to ask and it was Selena. At the end of that month of March she was murdered.

Wednesday, August 5, 2009

dredg "The Pariah, Parrot, Delusion"

So this is the album that is truly their own. The deal with Interscope was up and The PPD is released on the band's label. This is what I so anxiously waited for? They previewed a couple of tracks on their stop at The Social in support of the Live @ Fillmore release, and they sounded pretty good. But as much as I hate to say it, this album is a letdown from the previous two albums. 2005's Catch Without Arms is possibly one of my favorite albums of this century. The PPD still has the lush, dreamy auralscape I enjoyed before, but it doesn't have the same song quality as Catch, or even El Cielo. This album seems to compromise the band's epic power for a little more mainstream approach. Maybe this album will pull in some more radio airplay (and with it fans). They just came through town as a support act for Rx Bandits, I think, and that may add to their fan base as well. They are an impressive live show. I'm still adding The PPD to my collection, and I'm going to give it one last spin through some headphones before putting it away, but I doubt I will ever reach for it before Catch.