I come across these things in all manner of ways, and this one was different from any before. I had to move one of the big storage containers full of vinyl for a carpet repair job, and the only way to do so was empty it enough to allow it to be picked up. Well, I can't just grab stacks of my vinyl (which see daylight only once or twice a year) without thumbing through a few and traipsing down Memory Lane. I came across this record and the memories came flooding back.

Now that I've offered my Memory Lane story, suffice it to say that I really wanted to hear TC&TS again, and since I'm sans a record player, off I went to the Internet to see if I could possibly find it available somewhere, anywhere. Imagine my surprise to discover it had been re-released in 2008, along with a second album from 1990 that I never knew existed. "Motive" was also a major label release, but I was probably so busy with the Music 4 Less expansion in Orlando and elsewhere that it slipped past me. And hello?! What is this? A release from October of last year called "Plenty?" Surely that's not new...
But it is. And I purchased it immediately. The European import with an additional six songs. Straight into the changer at position #1. In no way, shape or form did I expect 80's-era music, but I admit to being surprised at the quiet beauty of the album. Down to one member, Simon Toulson-Clarke, "Plenty" is the definition of an Adult Alternative Contemporary record, mostly three to four minute songs with worldly lyrical content, set upon a soft musical palate of acoustics, piano, occasional strings, etc.. Of the fourteen domestic tracks, only three hark back the twenty-something years to a more full-bodied arrangement, flashing a chant or two, too. This was the first single, "Hurricane", and my favorite of the record. Just this week, the second single was released, "The Sign," one of the other two tracks with ties to the past sound. Overall, the record is expertly played, as I'm sure Mr. T-C called in plenty of favors. He has remained in the music biz as a consultant to A&R, producer and songwriter, so why not get some contacts to help out. He's not the strongest of vocalists, and it's more noticeable in the stripped-down instrumentation of this album, but that's not a concern to Europeans. It reminds me of Tony Carey/Planet P and how he was a master of the keyboards but not a microphone. American audiences want all the vocal histrionics. Eeesshh, just sing with passion, please .
So I am adding "Plenty" to the vault, though certainly not a typical Mad Rocker selection, based on how long it took TC&TS to get to me. While researching for this post, I found a review with a summary that stated it quite well, from rockfeedback.com:
"Plenty is a beautiful album, as out of time and place as the band have always been, even during their early flush of success. It has been released without much fanfare, which is a shame, as it will have an appreciative audience if they can find it."
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